PRESS
John Wamsley is a very talented and exciting actor who is one of the best Flute/Thisby’s I’ve ever seen." - James Wallis, Artistic Director of SHAKESPEARE BASH'd John Wamsley’s Private Harris is an affable Cape Bretoner and Ross’s closest confidant. Wamsley’s performance is heartwarming and heartbreaking all at once." - Courtney Leigh Church, STRATFORD FESTIVAL REVIEWS The other principal actors […] John Wamsley as Private Harris […] give excellent, convincing performances. Wamsley’s tragic (you’ll have to see it) Private Harris is a lovely, calming reminder of the simple pleasures of life and friendship, a human touchstone for Ross.” - Joe Belanger, LONDON FREE PRESS John Wamsley plays Beatrice's coworker Eugene with feline wickedness and a delicious streak of swish." - Nicholas Surges, GAY THEATRE TORONTO With everyone … playing multiple roles, it takes a particular skill to depict these different shades of opportunism, aspiration and insecurity. Huge kudos to this excellent cast (... John Wamsley...) who whip through jackets and hats, develop discrete, compelling characterizations, and remain consistently very very funny." - Duncan Derry, MY ENTERTAINMENT WORLD The protagonists, played by John Wamsley & Thinh Nguyen have their character's differing psyches down pat [...] Wamsley brings a world-weary indolence to Algernon." - Terry Gaisin - ONTARIO ARTS REVIEW |
John Wamsley... is a versatile triple-threat. He can toggle effortlessly between Shakespeare, stage musicals and everything in between." - Arpita Ghosal, SESAYARTS MAGAZINE Chip Tolentino (John Wamsley), last year’s champion, is back to defend his title amidst some raging hormones [and is portrayed] with both humour and sincerity.” - Khyrsten Mieras, THE VARSITY John Wamsley is the picture-perfect essence of boyish passion as [...] Lysander, while heartbreakingly adorable as Cobweb, a flirt of a fairy." - Tom Mackan, VIEW MAGAZINE Both brothers, John Wamsley & Johnathan Muench (Anti #2) contribute full measure to their portrayals ..." - Danny Gaisin, ONTARIO ARTS REVIEW |